The Devilish Rag
by Lew Roberts
The complete piece, as the composer wrote it.
The Devilish Rag
Lew Roberts, arr. Rudolf Moehl
The complete piece, as the composer wrote it.
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About The Devilish Rag
Piano sheet music for The Devilish Rag by Lew Roberts, free to view and play along. Grade 5 (Intermediate (Grade 5)) piece suitable for students at about grade 5 level.
"The Devilish Rag" by Lew Roberts is a grade 5-level piano piece with a duration of approximately 1:36. A Grade 5 piece with complex rhythms and most key signatures. Requires quick pattern recognition and developing musical fluency. This arrangement is ideal for pianists with 4-5 years of experience. Lew Roberts's composition showcases complex time signatures and most key signatures, making it an excellent choice for developing these essential skills.
The Devilish Rag is a lively and spirited piece that showcases the playful nature of ragtime music. Composed by Lew Roberts, it features syncopated rhythms and a catchy melody that invites listeners to tap their feet. This piece is perfect for those looking to explore the joyful sounds of early 20th-century jazz.
Is it right for you?
Who it's for
- Students at about Grade 5 level
- Pianists with strong sight-reading skills
- Those preparing for Grade 5 exams
- Players comfortable with most key signatures
Skill level: Grade 5
- Level
- Intermediate (Grade 5)
- Experience
- 4-5 years
- Length
- 1:36
What you'll learn
Technical skills
- Complex rhythmic patterns
- Chord inversions
- Ornaments and trills
- Advanced pedal technique
- Voicing in chordal passages
Musical concepts
- Complex time signatures
- Most key signatures
- Rubato and tempo flexibility
- Musical phrasing and expression
- Structural awareness
How long it takes
To learn
4-6 weeks with dedicated practice
Practice time
30-60 minutes daily
To master
8-12 weeks to performance-ready
Practice tips
- Study the harmonic structure before learning notes
- Practice ornaments separately until fluent
- Work on voicing and bringing out melodic lines
- Record yourself to identify areas for improvement
- Focus on musical expression, not just accuracy
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